In "Youtube is not working for electronic musicians," @lislegaard shares why he wants to see more experimental musicians talking about their artistic process.
Here are some #yumCodes for my "transmit::simulations" album. If you grab a code, please consider supporting @SabiLewSounds (https://ko-fi.com/sabilewsounds) if you can afford it. If you can't afford it, don't feel bad about grabbing a code anyway. You may share these codes with others, but please include the above request if you do.
If you're involved in electronic music-making and you're not white, please DM me on here.
I've just been watching loads of #SuperBooth footage and was aghast at how overwhelmingly white the whole thing is. I've seen more diversity at EDL marches.
So, I'm gonna try and do something about it. And the first thing is organising.
3D intro illustration for our coder's music editor Syntrax (a.k.a. Jaytrax), published in the early 2000s as an unofficial Windows and Pocket PC sequel to our old #Amiga music editors SIDmon and Digital Mugician.
You can listen to some Syntrax tracks here (my favorite is King Tut)…
If anyone is curious about how I made my latest EP entirely on the Novation Circuit Rhythm, here's a deep dive on that unit and some of the my favourite features (along with a few gripes)
You probably don't know it, but it's basically electronic music for metalheads. Perturbator & Carpenter Brut play at Metal festivals. I can say it's also clear from the public at their concerts.
Originally, it grew from synthwave, but is much darker.
I'd say it's best described as being the sort of OST you'd imagine in a retrofuturistic thriller movie from the 80ies that would be set far in the future.