My first #PortfolioDay! I’m Paul and I’m an artist that uses modern code to create unique works using vintage pen plotters, which I also collect and repair as needed. My works are typically in CMY color but I also do monochrome or other specialty inks. I can do up to 36”x48”.
We have a new shorts cinema showing a rolling programme throughout the festival and we think it will be a great way to showcase the generative art world.
If you have something short (~1-15 mins) you'd like shown, please email your name, a title and a link to:
👋 Hi! I'm very excited/relieved to share my updated portfolio website. It includes some new projects, including my 'Digital Organics' series with limited edition prints available for purchase.
Also, discover the 'Vistas' series, exploring the unease of venturing into unknown territories.
Fun🤪fact: you can generate a julia set inside ðe mandelbrot set by just switching c to a constant halfway θru 🐱
(ðo a lot of points escape from ðis, so it's only visible wiθ escape time / orbit traps)
I’ve been #RetroComputing for a while now but I wanted to do a little #PenPlotter today since I’m participating in #ptpx this year. Here’s an idea I’ve wanted to implement for a while. Designed in Python, plotter on a HP 7550 Plus vintage plotter.
generative art version of the halting problem: it is generally impossible to determine if letting an algorithm continue will produce a better or worse artwork #generativeart#abstractart#digitalart#haltingproblem
This is basically the same code as my flocking algorithms, but looks cooler. 12,000 particles "flock" to be near their loop neighbors while avoiding other collisions.