#TheMetalDogArticleList #BLABBERMOUTH
DANI FILTH On CRADLE OF FILTH's Collaboration With ED SHEERAN: 'It's Very Catchy, But It's Very Heavy At The Same Time'
She played the fiddle in an Irish band
But she fell in love with an English man
Kissed her on the neck and then I took her by the hand
Said, "Baby, I just want to dance"
"There’s something about losing yourself in a communal experience that’s immensely appealing in this age of virtual meetings and not-so-social media. We want to see the artists we love in person. We want to believe they’re singing directly to us." —A new reading list from Elizabeth Blackwell on the power of the pop concert.
I've never felt more positive about Ed Sheeran. He definitely gets copyright right.
"Copyright was designed to benefit the middlemen and gatekeepers, such as the record labels, over the artists themselves. That’s why the labels have a long history of never paying artists. ... modern copyright is stifling rather than incentivizing music creation — directly in contrast to what we’re told it’s supposed to be doing"
But over the last few years, Ed Sheeran has been highlighting the ways in which […] modern copyright is stifling rather than incentivizing music creation — directly in contrast to what we’re told it’s supposed to be doing.```
<https://www.techdirt.com/2023/05/08/ed-sheeran-once-again-demonstrates-how-modern-copyright-is-destroying-rather-than-helping-musicians/> #techdirt #EdSheeran