If you're involved in electronic music-making and you're not white, please DM me on here.
I've just been watching loads of #SuperBooth footage and was aghast at how overwhelmingly white the whole thing is. I've seen more diversity at EDL marches.
So, I'm gonna try and do something about it. And the first thing is organising.
In "Youtube is not working for electronic musicians," @lislegaard shares why he wants to see more experimental musicians talking about their artistic process.
Here are some #yumCodes for my "transmit::simulations" album. If you grab a code, please consider supporting @SabiLewSounds (https://ko-fi.com/sabilewsounds) if you can afford it. If you can't afford it, don't feel bad about grabbing a code anyway. You may share these codes with others, but please include the above request if you do.
If anyone is curious about how I made my latest EP entirely on the Novation Circuit Rhythm, here's a deep dive on that unit and some of the my favourite features (along with a few gripes)
It's time to Bonk, or should I say Re-Bonk? 🤔
We have a remix album out with remixes of the previous Not What I Call Bonk Wave Volume 2!
It's full of great tunes, and a community effort to get it out. It was fun to be part of it all.
Get it at Bandcamp or Faircamp, check my post for links and some yum codes:
I had a nice long convo with a neighbor yesterday, and one of the things we talked about was my music. The way I described it reminded him of the first electronic music soundtrack for a feature film, that of Forbidden Planet in 1956.
The sound is pretty involved, so this week I'm talking about just the glitchy looper part. I will make a part 2 soon, to talk about combining the looper with radio noises.