It is an hour until #MONSTERDON, your weekly monster movie watch party! If you don't want to see a bunch of nerdy monster movie toots, set up a filter for the hashtag.
Once again it is an hour until #Monsterdon, the weekly monster movie watch party. If you want to avoid a bunch of toots about a hokey sci fi flick, block the tag.
This week features STRANGER FROM VENUS (1954), in which a bug-eyed monster tries to get Earth to turn down the bass! No, I think it's about nuclear disarmament or somesuch.
We start at 9pm eastern, and you can find the movie on Tubi or YouTube. See you there!
Recherches pour mon prochain court (qui vient d'obtenir un nouveau financement, wouhou) : auriez- vous des exemples de films "en costumes" dont la musique s'éloigne de ce qu'on pourrait attendre pour ce genre de films ? (électronique, percussive, que sais-je...) #cinéma
Somehow in the past week or so I've fallen back in love with the aesthetics and vibe of the Star Wars prequels (especially "Attack of the Clones") as well as the Old Republic games. Nothing else quite looks like them. I want to live in that world...
Si nous connaissons mieux en France les blockbusters américains Godzilla, il s'agit d'un des Godzilla produits et réalisé au Japon.
Le budget estimé est ici entre 8 à 15 fois moins que cousins américains, mais le films n'en souffre jamais bien que certains décors soient un peu étriqués.
Le film est à l'échelle d'un film japonais un grand succès public et il a reçu des critiques globalement positives.
Alors qu'elle vit encore chez ses parents, une jeune avocate petites mains dans un cabinet fiscal se retrouve à intervenir pendant la garde à vue d'une affaire pénal et finit par s'investir dans la défense du suspect. Elle se retrouve confronté à la cruauté, à la déception du monde.
Un film d'apprentissage totalement centré sur son personnage et actrice principal. C'est parfois frustrant.
L'autre jour, j'ai vu Civil War. J'adore les œuvres d'anticipations et c'est un bien bel exemple !
On suit les tribulations d'un groupe de journalistes dans des États-Unis en pleine guerre civile. C'est très bien fait et très bien joué. J'ai vraiment adoré.
Come l'anno scorso anche quest'anno ci saranno i cinema day, dal 9 giugno al 19 settembre si potrà andare al cinema spendendo 3,50€ per ogni film, anche quelli appena usciti.
Dal 9 al 13 giugno, tutti i film saranno visibili a quel prezzo, idem dal 15 al 19 settembre. Dal 15 giugno al 14 settembre invece solo i film italiani ed europei!
Cineclube Nautflix: Sem Sol [Sans Soleil] (1983) - 08/06 às 19h
Venha assistir e conversar sobre Sem Sol [Sans Soleil] (1983) de Chris Marker nesse sábado às 19h.
Para participar basta entrar no https://discord.gg/bxRTjmuD e pegar o cargo de Clube do Filme.
Sinopse:
“Ele me escreveu…” Uma mulher narra os pensamentos de um viajante do mundo, meditações sobre o tempo e a memória expressas em palavras e imagens de lugares tão distantes como Japão, Guiné-Bissau, Islândia e São Francisco.
Sony Will Use AI to Cut Film Costs, Says CEO Tony Vinciquerra
"“We are very focused on AI. The biggest problem with making films today is the expense,” Vinciquerra said at Sony’s Thursday (Friday in Japan) investor event. “We will be looking at ways to…produce both films for theaters and television in a more efficient way, using AI primarily.”"
#art#history: he was horror’s adonis with a wicked wit; a ‘muppet show’ favourite, a culinary whiz & an artist. alice cooper’s ‘welcome to my nightmare’ wouldn’t have achieved such iconic heights had it not included vincent price’s 'black widow' soliloquy. but his dramatic socio-political conclusion to the radio programme, ‘the saint’, which aired on 30 july, 1950,may come as a surprise to anyone who thought of him as merely a panto character. #vincentPrice#horror#illustration#film#cinema
French film director, producer, and screenwriter Louis Jean Lumière died #OTD in 1948.
Alongside his brother Auguste, Louis is best known for inventing the Cinématographe, a motion picture camera, projector, and printer all in one. The Lumière brothers' work laid the foundation for the film industry and revolutionized visual storytelling.