Passamezzo, to history
@Passamezzo@mastodon.social avatar

Michael Cavendish: Zephyrus Brings the Time

From 14 Ayres in Tabletorie to the , 1598.

Eleanor Cramer:

Christopher Goodwin: Lute

Alison Kinder: Bass Viol

Tamsin Lewis:

https://www.youtube.com/watch?v=YypW-qKngJA

@histodon @histodons @earlymodern @earlymusic

Passamezzo, to Watches
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passamezzo, to history
@passamezzo@hcommons.social avatar

Greensleeves update!
We have silk satin for the "gown..of the grossie green...sleeues of Satten hanging by" described in the song.
Ninya Mikhaila will make the gown, when we've worked out what it looks like...
passamezzo.uk/greenproj.html
@earlymusic @earlymodern @histodons @histodon

passamezzo, to history
@passamezzo@hcommons.social avatar

I’ve been given the Janet Arnold Award by the Society of Antiquaries to recreate clothing described in the Tudor song, Greensleeves.
Really excited to be working on this project with a team of superb costume historians.
Among other things, there will be a video to come in the future, and a book about Greensleeves & early modern clothing in music and song, but in the meantime, here is our recording of the words and music…
https://www.youtube.com/watch?v=pej-PqWDJ4U&ab_channel=Passamezzo

#earlymusic @earlymusic #earlymodern @earlymodern #histodon #histodons @histodons @histodon #tudor #tudors #elizabethan #16thCentury #sixteenthcentury #materialculture #HistoryofFashion

CindySue, to books
@CindySue@bookstodon.com avatar

My orders from the library came in yesterday and this morning I am starting Black Tudors: The Untold Story by Miranda Kaufman. I will reserve any judgment as I am literally only a few pages in, but I have high hopes as it was shortlisted for the Wolfson History Prize.

@bookstodon

longreads, to history
@longreads@mastodon.world avatar

"For a brief moment in the Renaissance, in between the invention of the microscope, printing press, and pencils – along with other technologies that uphold modern society – upper class men were rather preoccupied with erecting another innovation: the codpiece." —Zaria Gorvett for the BBC.

https://www.bbc.com/future/article/20240202-what-happened-to-the-codpiece/?src=longreads

passamezzo, to history
@passamezzo@hcommons.social avatar

In Tudor and Stuart times, gifts were given at New Year rather than at Christmas.
Here is a musical New Year's Gift. It's an anonymous 17th Century dance of that name from Thomas Middleton's Inner Temple Masque, or Masque of Heroes, 1619.
From BL Add. 10444
Alison Kinder: bass viol
Tamsin Lewis: violin

https://www.youtube.com/watch?v=rpY3yW1X4eQ&ab_channel=Passamezzo

#earlymusic @earlymusic
#earlymodern @earlymodern
#histodon
#histodons @histodons @histodon
#happynewyear #history #12daysofchristmas #newyearsgift #violin #violinist #historicalmusic #historicaldance #mas #17thCentury #tudor #tudors #stuart #stuartera

Passamezzo, to Watches
@Passamezzo@mastodon.social avatar

A Tudor Christmas Carol
As I outrode this enderes night.
From the Pageant of the Shearmen and Tailors, one of the Coventry Mystery Plays.
[The better known 'Coventry Carol', "lully lulla, thou little tiny child" comes from the same source.]
https://www.youtube.com/watch?v=39AA6kFmpWY&ab_channel=Passamezzo

@earlymusic @earlymodern @histodons @histodon

passamezzo, to history
@passamezzo@hcommons.social avatar

It's December, so it must be all right to start posting Christmas music...

This Enders Night
An anonymous early 16th Century lullaby carol from the court of Henry VIII.

From MS Royal Appendix 58

Emily Atkinson: soprano
Richard de Winter: tenor
Robin Jeffrey: lute
Tamsin Lewis: alto

https://www.youtube.com/watch?v=Jjye1LQE4bY&ab_channel=Passamezzo


@earlymusic
@earlymodern
@histodons @histodon

appassionato, to books
@appassionato@mastodon.social avatar

The Tudors in Love
Passion and Politics in the Age of England's Most Famous Dynasty

In this groundbreaking history, Sarah Gristwood reveals the way courtly love made and marred the
Tudor dynasty.

@bookstodon




jojannekevdbosch, to random
@jojannekevdbosch@mastodon.social avatar
passamezzo, to Watches
@passamezzo@hcommons.social avatar

With its haunting melody, and the romantic myth that it was written by as a love song for , Greensleeves has remained popular over the centuries and today, is probably the best known of all .

However there is no proven connection to Henry VIII, and the earliest mention of the broadside ballad called was not until September 1580, (some 33 years after his death). It was an immediate hit, and a number of imitations and parodies were produced in the following months and years.

Our recording uses the text from 'A Handful of Pleasant Delights', 1584 - the earliest surviving source. There are many verses, some of which contain lovely descriptions of clothing and other aspects of

Richard de Winter: baritone
Robin Jeffrey: lute
Alison Kinder: bass viol
https://www.youtube.com/watch?v=pej-PqWDJ4U&ab_channel=Passamezzo

@earlymusic
@earlymodern
@histodons
@histodon

indranisantra, to architecture
@indranisantra@mastodon.world avatar

Ruins of Whitby Abbey over the harbor town of the same name in North England. The Benedictine Abbey is one of the many monasteries dissolved by the Tudor king Henry VIII. The dramatic ruins were also featured in Bram Stoker's Dracula.

Ruins of the 13th century Benedictine abbey
Towering ruins of the Whitby Abbey on a bright sunny morning

passamezzo, to Watches
@passamezzo@hcommons.social avatar

Two anonymous 17th Century ballads describing the purported evil deeds of Richard III, the murder of the Princes in the Tower, and the Battle of Bosworth Field, which was fought in 1485.
A good example of Tudor propaganda.

A song of the Life and Death of King Richard the Third (to the tune of Who list to lead a soldier's life)
and
The most cruel murther of Edward the fifth, and his brother Duke of York, in the Tower; by their Uncle Richard Duke of Gloucester (to the tune of Fortune my foe)
From Richard Johnson's ballad miscellany, The Golden Garland of Princely Delights, 1620

Eleanor Cramer:
Richard de Winter:
Robin Jeffrey:
Alison KInder: bass

https://www.youtube.com/watch?v=eStjRK_gY-M&ab_channel=Passamezzo

@earlymusic @earlymodern @histodons @histodon

passamezzo, to Theatre
@passamezzo@hcommons.social avatar

What meat eats the Spaniard?
An anonymous about eating too much fish!
From Blurt Master-Constable. Or The Spaniards night-walke.
[Attributed to] and 1602.

Emily Atkinson:
Richard de Winter:
Robin Jeffrey:
Alison Kinder: bass
Tamsin Lewis:

https://www.youtube.com/watch?v=KVBraD9ZlOA&ab_channel=Passamezzo

@histodons @histodon @earlymusic @earlymodern @earlymodernmaritimestudies

passamezzo, to Watches
@passamezzo@hcommons.social avatar
Passamezzo, to Watches
@Passamezzo@mastodon.social avatar


Singing for a scene in a couple of years ago.
At Berkeley Castle with 4 musicians and lots of dancers.
A lovely production to work on.
@histodons @histodon

passamezzo, to earlymodern
@passamezzo@hcommons.social avatar

Some Summer music to match the weather.

Michael Cavendish's madrigal "Zephyrus brings the time" from 14 ayres in tabletorie to the lute, 1598

Eleanor Cramer: Soprano
Christopher Goodwin: Lute
Alison Kinder: Bass Viol
Tamsin Lewis: Renaissance Violin

https://www.youtube.com/watch?v=YypW-qKngJA&ab_channel=Passamezzo

@earlymusic @earlymodern
@histodons @histodon

sandbergrlaw, to random

‘A Historical Introduction to English Law: Genesis of the Common Law’, my new textbook from Cambridge University Press for new law students, is out soon.

Get 20% off with code SANDBERG23: https://www.cambridge.org/gb/academic/subjects/law/legal-history/historical-introduction-english-law-genesis-common-law?format=PB

Read the prologue and see full contents at: https://assets.cambridge.org/97811070/90583/frontmatter/9781107090583_frontmatter.pdf

bibliotech, to comics
bibliotech, to comics
yasminehachimi, to fanfiction

time! My name is Yasmine Hachimi and I'm a Fellow at the Newberry Library.

My research explores the eroticization of Tudor queens in a range of popular genres, from letters and plays, to tv and today. I also consider the affordances and limitations of color-conscious in .

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